First off, condolences to the Denver Broncos organization and their fans. That’s what we call a rough day at the office. And for those of you who are fans of Super Bowl advertising, it was kind of a rough night on the couch. Again.
Last year, we had a few “wows” interrupted by a lot of mediocre. Sadly, that trend continued through 2014. And at $133,000 per SECOND, that can mean some rough Mondays for some advertising executives.
Radio Shack – good for them for poking fun at themselves as they make their re-rebrand statement. (Remember “The Shack” attempt from a few years back?) Best tweet of the night I read said something like “Radio Shack had to close 10 of their 12 stores to pay for that spot.” At least they’re trying.
Heinz – after sitting on the sidelines (yes, all puns intended,) for 16 years, Heinz returns with a feel-good spot to the tune of “If you’re happy and you know it…” Solid, simple, reminder advertising. The right message for a brand that already owns the category.
Wonderful Pistachios – for a brand that is trying to make hay in a highly commoditized category, Wonderful Pistachios made a strong statement for themselves with two :15s wrapped around the H&M David Beckham spot. They did a great job of getting out of the way, and letting Colbert be Colbert. Especially poking fun at themselves about a “lack of branding.” Really fun, really light, and memorably goofy.
T-Mobile’s Tim Tebow spots were absolutely hilarious, and I thought the most on-target/on-focus advertising of the night. Perfect symmetry between his situation (a national figure without a contract) and their basic brand position (mobile network service with no contract necessary.) He’s a good sport (yep, another pun) for poking fun at himself, the ads had high production and camp value, and I think this was a touchdown. (Ugh, that was shameless.)
Doritos brought high value humor to a crop of commercials that were otherwise meh. Add the fact that the spots were created by contest entrants, and you add a level of intrigue. Congratulations to Ryan Thomas Anderson for the winning entry and the $1 million prize. A second level of kudos to Doritos for matching good advertising with strong social activation, and (you may have missed this) an absolutely cool in-stadium activation: recordSetter got 30 people to don orange ponchos to create “the world’s largest human Dorito.” Pretty effing cool.
Chrysler 200 with Bob Dylan
So this was one of the (very few) spots that was not leaked or teased prior to the game, and it really paid off. Chrysler has embraced Detroit/Americana as a stand-in for the brand, and they have wrapped a powerful message around it. (Remember Clint Eastwood’s “halftime in America” ad? And the Paul Harvey “God made a farmer ad from last year for Dodge?” Yeah, same idea.)
They encapsulate this idea in the statement “Detroit made cars. And cars made America.” Overly patriotic? Sure. A tad pandering? Maybe. But powerful advertising? You bet your ass.
The best part is the finale of the 2:00 triumph, (delivered incredibly by a surprisingly articulate and pointed Bob Dylan,) with this: “Let Germany brew your beer. Let Switzerland make your watches. Let Asia assemble your phones.” Dramatic pause. Cut to Dylan in a pool hall talking directly into camera. “We. Will build. Your car.” Touchdown. Two point conversion. Game over. (Yeah. I went there.)
And now for the GROANS.
Maserati introduces its new Ghibli sedan to America with an overly produced spot about “unleashing monsters” or something. Sure, I get that you can make a “big splash” with a Super Bowl ad…but wasn’t there ANYONE in the room saying “this might not be the best media buy?” And who named “Ghibli?” If you’re going to introduce a “more approachable” brand extension (the Ghibli starts around $67,000) to an otherwise unattainable line, shouldn’t the spot be more, um, approachable?
Kia takes a target demographic couple on a spin through the Matrix with Laurence Fishburne in full Morpheus mode. Um, what? Or, rather, why?
Bud Light – Now here’s an instance where the social media leadup was better than the ads themselves. Bud Light’s three and a half minute brand film around the “up for whatever theme” was great. The two spots that got edited out of it…a little disjointed.
Beats Music Service introduces its “we’re better than Pandora” intuitive music service. Sounds like a cool idea. They made a nice spot, riffing on the Goldilocks folktale. Except they chose Ellen DeGeneres. Hmmm…is SHE the target? (Highly doubtful.) Is she RIGHT as being appealing to what we would imagine the target to be? (Still no.) So…why Ellen?
AUDI just completely missed the mark this year with “Doberhuahua.” After such an incredible showing last year with their “prom” spot, they go for the dopey CGI-laden humor trick of a Doberman cross-bred with a Chihuahua. They took their potshots at sappiness with knocks at kennel shows and Sarah McLachlan, and tried to wrap this around the idea that “compromise is scary.” It is. Especially in advertising.
End notes: Other hits and misses…
GoDaddy tried to capitalize on the “real time marketing” concept with a spot where a woman (Gwen) quits her job on live television. Interesting. And better than that gross makeout spot they ran last year. Wheeeew!
H&M’s ad with David Beckham was the first to be truly interactive…for a limited few. Turns out, if you have a Samsung SmartTV, you could have ordered product live through your television. Great strategy for the 327 people who actually own that tv.
Volkswagen’s “Wings” ad starts out as a really smart quality claim. Dad tells daughter that every time a Volkswagen hits 100,000 miles, a Volkswagen engineer gets his wings. Cut to German factory, where white-lab-coat-wearing engineers start sprouting wings. Funny concept, well executed. Major problem with this spot: NO FEMALE ENGINEERS. Not a one. Except that young lady in the elevator who slaps the other engineer. Wrong message to send to the world’s young girls, Volkswagen.
Until next year – keep grinning!
This article first appeared on Technorati.
What were YOUR favorite spots? Post in the comments below.
Dylan sell out. Sorry, have to say it. VW, so much promise, so overdone. And we’ve been teased with web banners for two weeks, then THIS?! Coke’s “America the Beautiful” was spot on awesome. Radio Shack the most fun. Heinz, blah. Just like Ketchup. Tebow was funny. Maserati… waste of money.
Thanks, Joe – and you’re right, I thought Coke’s spot was inspired…reminded me a lot of the “I’d like to buy the world a Coke” from the 1970’s.
As far as the Chrysler spot – and your comment that it was a Dylan sellout… Do you think that’s because Dylan spent so much of his life as anti-establishment? Do you think it’s generational? I think there may be some substance there.
But here’s what I DID like: if you REMOVE Dylan from this spot, it still stands up as pretty peppy advertising…the copy (aside from the corny opening line) is great. The delivery is spot-on. The production value is straight-up high cinema. Take another look, and put Joe Everyman in the spot and tell me if you think it resonates then.
Eminem was an interesting choice for Chrysler. His Detroit roots made sense, but his connection to Gen Y was confusing. Clint Eastwood was gritty, tough, right-wing, All-American. Dylan? Why the counter-culture, revolutionary legend? Because thinking about cars Made in America is revolutionary? Not exactly. Ford is kickin’ butt all over the world. And Dylan has not only made a career, but a LIFE out of being anti-establishment. One of my favorite Dylan songs is Neighborhood Bully, where he takes a stand against Israel’s critics. Those are the kind of human issues that WE think Bob Dylan concerns himself with. To think that in his Senior years he’s more concerned with fuel injection and Corinthian leather? Say it isn’t so, Mr. Dylan. I ain’t workin’ in Maggie’s car factory no more!
Best. Comment. Ever.