Super Bowl 53 Grins and Groans

Super Bowl LIII Logo

If you watched the national yawn that was last night’s Super Bowl, you already know there’s not much to talk about. Following an NFL season that set all kinds of records for offensive output, the game was the lowest-scoring Super Bowl in history. So yawn. The Maroon 5 halftime show, despite the lead singer removing his drapery-patterned tank top to reveal his monotone-tattooed midriff, was a nice opening act for a medium-sized dance club. Even the guest rappers didn’t elevate the performance. So yawn. Oh, and that team from New England, who apparently bought 90% of the seats in the house, won. Again. Yawn.

But perhaps the biggest yawns came at virtually every commercial break. For the third year in a row, the advertising at the Super Bowl was almost entirely unremarkable. With a few exceptions, the ads were mostly safe, predictable, and worse, platitudinous.

So here are your grins and groans.

A couple of themes emerged throughout the evening, and some of them are troubling. First, we absolutely have to stop equating Martin Luther King, Jr. with anything related to NFL football while the league (and the nation) wrestles with its own ability to formulate a realistic response to the racial inequality that Colin Kaepernick and others have tried so earnestly and intelligently to highlight. (Remember that Ram trucks tried it and failed miserably last year.)

Second, we have to get some context with the celebrities.  It’s great to have big names in your spots, but it really helps if they were relevant in the last, I don’t know, decade or so.  Li’l Jon for Pepsi, Bo Jackson for Sprint, Sarah Michelle Gellar for Olay doing her old horror movie stuff.  It just seemed like I was watching Super Bowl 43 by accident.

And what’s with the robots?  TurboTax, Sprint, and Michelob Ultra all featured robot characters, while Pringles gave a hat tip to Alexa-style AI and Mercedes-Benz touted its new AI in its new A Class.

HONORABLE MENTIONS

Honorable mention to Bumble for their inspired and dead-on messaging with Serena Williams. “The world tells you to wait. That waiting is polite. But if I waited to be invited in, I never would have stood out. “ Perfect synopsis of Serena Williams and her meteoric career. And for a platform that is based on women making the first move, this is perfect copywriting.

HULU – Handmaid’s Tale season 3. The ad starts off with the familiar refrain of “It’s morning again in america,” the magical phrase written and narrated by advertising legend Hal Riney, which is an absolute dog whistle for any ad geek. It turned out to be a trick (and a good one) to get you to pay attention for the upcoming season of Handmaid’s Tale.

Stella Artois uses celebrities Sarah Jessica Parker and Jeff Bridges in their iconic roles as Carrie Bradshaw and Jeff “the Dude” Lebowski. They are both known for their particular choices in cocktails, and the ad shows that “changing can do a little good.” The reason I’ve added this in is that the ad also featured a previously-unreleased cameo from another famous beer drinker, “the world’s most interesting man.”

GRINS

Mint Mobile uses their basic positioning (wireless service for $20 a month,) and the typical consumer reaction of “that’s not right” to highlight something that is REALLY not right: “chunky milk.” The ad cuts to a commercial parody of a family enjoying chunky milk, which is gross, and funny, and camp enough to make the point. This is exactly what Super Bowl advertising should be: funny, weird, and super memorable. While I’m not sure about the nerdy fox mascot, I am sure that this spot got my attention.

Bubly is a new flavored sparkling water drink that comes in a variety of flavors. It’s bubbly, and the name is Bubly. And so who better to get to promote it than a guy named Bublé? Perfect. It’s funny. It’s simple.  And it’s smart.  A great deadpan performance by Michael Bublé feigning offense. And the best part? The name of the brand (if you include the Bublé mispronunciation,) is mentioned 11 times, along with several close-ups of the product. It’s Advertising 101 done to the highest order, and is probably the best all-around ad of the night.

My favorite spots of the night, however, came from T-Mobile. They went low-budget (not counting the $20 million+ media buy, of course,) with simple text messaging interchanges. The first spot features an exchange with Cathy. The texter (not sure if it’s a male or female,) simply asks “hey what’s up?” Cathy responds with a miles-long response about her life, and how she’s searching for meaning. If you read it through, it’s an absolutely hysterical rant in a very comedic and non-threatening way. And something we can all relate to.

T-Mobile followed it up with three more spots, including an exchange between a dad and his daughter, where the dad is texting the daughter, but is using his mobile phone like a search engine. Daughter responds “Dad, this isn’t Google!” (My guess is they underwrote some portion of this spot.)

Another features an exchange between a couple trying to figure out what’s for dinner THAT TURNS INTO A CO-PROMOTION WITH TACO BELL. And another between Mike and someone else that turns into a hysterical miscommunication THAT TURNS INTO A CO-PROMOTION WITH LYFT.

Again, this is simple, and funny, and entertaining enough to hold your attention throughout. And since the other wireless carriers were gallivanting off into honoraria of first responders and dredging up Bo Jackson, T-Mobile wins share of mind this year. A huge bounce-back from their letdown of last year.

GROANS

Weather Tech seems to have lost its focus. After coming on the scene a few years back, and making a simple statement about American-made quality, they made the mistake this year of trying to cram two ads into one with their new Pet Comfort products. Just bizarre, and unfocused, and not great advertising.

Bud Light seems to have lost focus also. For some strange reason, several of their ads chose to center on this notion of not including corn syrup in their beer. Which is fine, I guess. Except that several other beers don’t have corn syrup either. (And if you’re on Twitter, you found out in near real time.) And did they really do a Game of Thrones final season tie-in? Just weird. Especially for a brand that always seems to get it right, especially during the Super Bowl.

Speaking of weird beer commercials, Michelob Ultra Pure Gold missed the mark with their attempt to please .0002 percent of the population with an ASMR-inspired spot. ASMR stands for Autonomous Sensory Meridien Response, and gives some people a tingly feeling in their scalp and down the back of their necks when they hear certain sounds, like whispering.  So yes. They did a whole spot of whispering. During the Super Bowl. For the 42 people who have ASMR.

This is the third year in a row of wondering where the big spots were going to be. As the other 31 teams in the NFL say, “there’s always next year.”

Super Bowl 52 Grins and Groans

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What an interesting paradox. In a game that saw dozens of records set, including an explosive offensive output by both teams, the advertising this year was entirely meh. (Following a big meh-burger last year.)  We thought we’d see some surprises. We didn’t.

We got a few laughs, a few headscratchers, and we saw a few commercials that just didn’t make much sense. Here are this year’s grins and groans. And if you want a spoiler, here it is: TIDE won the Super Bowl, and no one else even came close.

Honorable mentions to:

Jeep: their Jurassic-Park-themed spot with Jeff Goldblum was pretty good, and their “manifesto” spot was especially good. [Take note kids: this “manifesto” spot is what they mean when they say “show, don’t tell.”]

Australia Tourism: did a nice job of disguising an ad for tourism in a weeks-long fake promotion for a new fake Dundee movie preview. With Chris Hemsworth in his native accent. A win-win for the Aussies.

Also of note:
Amazon’s Alexa  “replacements” ad;
Hyundai’s tug at the heartstrings with personal “thank yous;”
Keegan Michael Key “translating” for Rocket Mortgage by Quicken Loans.

GRINS:

E-Trade was a delightful surprise with their riff on the Harry Belafonte song, “Day-O.” In it, they poke fun (in magnificent ways,) with the simple fact that “over 1/3 of Americans have no retirement savings. This is getting old.” A sad truth, a smart position, a deft turn of phrase, and refreshingly good advertising for a singular concept: their retirement account offering. And best couplet of the night: “just got a job as a lifeguard in Savannah / I’m dropping sick beats, they call me DJ Nana.”

NFL teased at “touchdown celebrations to come” with a hilarious and well-acted (for football players) riff on a “Dirty Dancing” moment. Eli Manning and Odell Beckham Jr. of the New York Giants rehearse a future touchdown celebration with a completely choreographed dance number that, um, climaxes with Eli lifting Odell high in the air. It’s quite a moment, and a smart way for the NFL to capitalize on an organic movement that seemed to peak this past season.

Sprint pokes massive fun at their competitor (Verizon,) by showing that you can “learn” to choose Sprint, based on the sheer facts. Evelyn, an AI robot, asks her scientist/creator why he’s still on Verizon. Doc doesn’t have an answer, and Evelyn, along with all the other robots, including prototypes and spare parts, begin laughing at the doc’s expense. He’s embarrassed, and in the next scene, we see him in a Sprint store, explaining that his “co-workers” were making fun of him. It’s a long way to go, but it’s done smartly.

Hands-down, the winner of the Super Bowl was Tide. First, they do a spectacular job of staying on their core message, which hasn’t changed in decades. (Kids scoring at home – they stay true to a simple and defensible competitive position: that Tide is best on removing stains, and gets clothes cleaner. Period. Stop.)

Second, and perhaps more importantly, they shatter the concept of what “advertising” is. Instead of making a new ad for their detergent, they go into other ads – including recent and famous and iconic Super Bowl ads – and with the addition of a simple phrase, turn them all into “a Tide ad.” We’re talking cars, fashion, beer, technology, consumer packaged goods. The Old Spice guy! A Clydesdale! OMG! Brilliant!

At various lengths, and without warning, Tide continued to delight and surprise, and by halftime, I was on the edge of my seat hoping for more. So well-conceived. So simple. So stinkin’ smart. And absolutely crushed by actor David Harbour. No contest here. Well done, Procter & Gamble, and way to out-do yourselves from a winner last year. (While the spots appeared at different times throughout the game, see all of them linked together in the clip below.)

GROANS:

On a night when you have to “go big or go home,” I was surprised at how many advertisers played it safe. Let’s also note that while we’re in the opening frames of the #metoo moment and the #timesup movement, that there were ZERO ads that featured the subjugation of women in any way. But weirdly, there were nearly the same number that featured women in ANY way.

Seriously. A quick shot of Cindy Crawford, and generally odd choices in Iggy Azalea and Tiffany Haddish were about your entire feature of female actors this year. Can you say “disproportionate response?”

Compare that to the preponderance of men in the ads last night:

Danny DeVito
Steven Tyler
Chris Pratt
David Harbour
Eli and OBJ and several New York Giants
Keegan Michael Key
Dr. Oz
Peter Dinklage
Morgan Freeman
Dwayne Johnson
Jeff Goldblum
Bill Hader
Keanu Reeves
Chris Hemsworth
Danny McBride
Peyton Manning
Matt Damon
(And that’s off the top of my head.)

So, an overall groan for a generally poor response to the cultural climate. Instead of just bringing an umbrella to deal with how it is outside, the advertising industry collectively decided to shut the doors, draw the shades, and hibernate until who-knows-when. I look forward to a time when brands can deal with this shit like grownups.

In general, almost ALL the car advertising was a collective groan. (Just like last year.) Hyundai tried something unconventional, which I like. And Kia’s ad featuring Steven Tyler was at least entertaining. But Toyota was all over the place with their mixed-messages-hidden-in-you-can’t-go-wrong-with-Olympics-promotion spots. Mercedes-Benz seemed to be content with running a speedster feature spot that could have (and perhaps should have) run in June. A far cry from their Tortoise-and-Hare fairy tale positioning spot from a few years ago, eh?

Where was Audi, who has killed it (except for last year) over the last several years in the Super Bowl? Where are the truck spots for Chevy or Ford? Where was the boldness of “It’s halftime in America,” or “Imported from Detroit” for Chrysler? And where were all these Fiat spots we were promised?

But Ram (my biggest GROAN of the night,) spent a bunch of money to run multiple spots that didn’t seem to hold together very well. First, an “oops-the-Vikings-aren’t-in-the-Super-Bowl” spot was just confusing. And later, the brand was waaaaay over-reaching with their MLK spot. [Attention advertisers: if you’re going to use any quotes (or in this case, recordings,) of the late great Reverend Doctor Martin Luther King, Jr., do NOT, I REPEAT, DO NOT use them to sell a bloody car. In fact, maybe don’t use them at all, mmkay? ESPECIALLY when one section of this important sermon actually goes on to undress advertisers as “gentlemen of massive verbal persuasion.”]

Turbo Tax. I don’t get it. You’ve got H&R Block throwing major shade at you with direct shots, and you can pretty much crush them by highlighting your core position (simplified online filing.) Instead, you go in a completely different direction with monsters under beds and ghosts in attics. This concept of bringing “monsters and other scary things” to life, including the dark shadows, is strategically on point, (people are terrified of doing taxes, so show other terrifying things…) but really seemed to fall flat in the execution phase.

T-Mobile just missed the mark (and essentially the year) for their “change starts now” manifesto about equality. I appreciate trying to make broad statements, but in a category that’s cluttered and centered on features and price promotions, you have a chance to distinguish yourself in so many ways. But pivoting to the “we are all equal” high ground seems like an odd choice, and just made for clunky advertising.  This is especially glaring, given that their advertising was SO good last year.

Overall, a blah year for ad geeks, and for laugh-seekers. And that’s two years in a row, now.  We’ve got to see something brighter next year, no?  Until then, congratulations to Eagles Nation on your first Super Bowl!

Sprint and Verizon: balls to balls, toe to toe

Coke and Pepsi. McDonald’s and Burger King. Mac and PC. Hertz and Avis. In the history of advertising, there have been some pretty great one-on-one battles waged for attention and preference in various categories.

In the recent battle for supremacy among wireless service providers, the conversation has seemed to focus on network performance. Verizon’s work with Ricky Gervais pokes fun at how the other networks’ “coverage maps” are a joke.

Then, things heated up when Verizon launched their “colorful balls” spot, which then garnered near-immediate responses from both T-Mobile and Sprint. (Almost simultaneously.)

In the latest skirmish among these two rivals, Sprint has fired the loudest shot against Verizon in a long time – employing Verizon’s long-time “can you hear me now” pitchman Paul Marcarelli.

Back in 2002, Verizon launched this campaign to make the case for their “go-everywhere” coverage, and in the process, made Marcarelli a household face and voice. (It was widely reported that for the nine years he was employed by Verizon – and their agency – he was both handsomely paid, and severely restricted from pitching ANY other brands.)

However, Verizon abandoned that campaign around 2012, and Marcarelli faded into the advertising shadows.

That is, until Sprint decided to bring him back this week.

Sure, this is a gut shot at Verizon, only because Marcarelli was SO recognizable as the “Verizon guy.” Plus, the script is written specifically around him – a fictitious character, I may remind you – first, and around network coverage second.

A couple of things are interesting about this spot, especially in the way it’s channeling the legendary “we’re #2” ethos. Sprint never says “we’re the best” or “we’re the fastest.” In fact, they say they’re about 1% smaller than Verizon, but that Verizon costs nearly twice as much. Pretty good claim if that means anything to you.

Here’s the important question we should be asking: Why isn’t any one of these brands (not just Sprint and Verizon, but T-Mobile and AT&T as well,) looking to differentiate on some other attribute? Is “network performance” really that important? (Some select research must say yes, otherwise we wouldn’t see billions spent against it.)

If you look back at the classic examples (like Coke and Pepsi or McDonald’s and Burger King,) the brand that came out on top was the one who changed the conversation. Coke and Pepsi beat each other’s brains in for years about “taste,” and then Pepsi took their biggest leap forward when they altered their position to “the choice of a new generation.” (Shifting the conversation away from taste and focusing it on WHO drinks.)

For the big wireless networks, they’re going to continue beating the snot out of each other on “wireless network performance” to the same ends…a ¼-point bump in quarterly performance here, a year-on-year nominal profit margin spike there.

When one of these brands finds a new “voice” and a new position, (hint: it has to really matter for consumers,) I think you’ll see the conversation in the advertising world really start to shift. One of these marketing teams ought to be working on finding that path. Sure, the other brands will follow (almost immediately,) but there will never be a substitute for being first…for zigging when the market zags, and for creating new connections with consumers.

Super Bowl 49 – Grins and Groans

If you’re a football fan, you liked this game. A slow burn, with twists and turns, and a dramatic finish. Good stuff. (Unless you’re a Seahawks fan, then, not so much.)

If you’re an advertising fan, you got pretty much a reflection of the game: a kind of slow and steady stream of ads, none of which made you say “wow,” and a few headscratchers late.

Mostly, we were left with questions:
Where were the really big ideas?

Where was Chrysler? (there was only the one Fiat spot and it was pretty funny) – but after Dylan, Eastwood and Eminem, they had set the bar pretty high, and not seeing them in the game was weird.

And seriously: what was Nationwide thinking???

A few themes this year that were notable:

Dads – three advertisers embraced dads this year: Dove, Nissan and Toyota. (And we’re not sure why, exactly.)

Puppies – Bud’s follow-up to “Puppy Love” from last year, and GoDaddy’s “controveersial” spot that never made it to the air (and it should have, since their “replacement” spot was meh.)

Celebrities poking fun at themselves:

Kardashian for T-Mobile was really good and funny and actually made good advertising.

Brosnan for Kia was very well done and a big grinner for me.

Pete Rose for Skechers was actually cute, and he was a good sport to take on that sensitive subject matter with such air.

The Esurance spots with Lindsay Lohan and Bryan Cranston proving that “sorta” is not good enough were pretty good.

And Liam Neeson absolutely KILLED IT in his I’m- a-badass-and-I’m-coming-for-you brogue for Clash of Clans.

The ads that made me grin:

Fiat and the little blue pill:

Mercedes Benz fable

Coke

Double Grins:

BMW i3 with Katie Couric and Bryant Gumbel

This spot was funny, had great performances, and made an excellent point: big ideas take a little getting used to.  Smart, and very non-typical auto advertising.

Snickers Brady Bunch

Snickers took their “you’re not you when you’re hungry” to a great new place, by going to a great old place.  Well done!

Doritos – When Pigs Fly

This wasn’t my favorite of the Doritos “crash the Super Bowl” ads, but it was still entertaining, light-hearted, and well-executed.

But my biggest grin came early in the game when I saw this spot from Turbo Tax:

Man this was just flat out good. High cinematic value in the production of the spot, and high concept in rewriting history around a simple (and relatively benign) benefit of “free filing.”

Of course, we all know it’s free to file your federal return. But you still have to pay for the software of course, and for state taxes, you’ll still shell out that pesky little 29.95 or so. Bah, details. They made a great ad!

As usual, there were some groans this year.  And one flat headscratcher.

Groans:

Cure.com insurance (pair of 15’s) – bad jokes, worse production.

Jumlia – credit to coming into the game as a first time advertiser, but it was forgettable – an animatic for toenail fungus. They could have made like a billion or so targeted impressions online, and still had a couple million bucks left over to buy a whole bunch of spots during the professional bowling championships later in the year, when toenail fungus really flairs up. (Duh.)

Squarespace with Jeff Bridges – just weird. Any ad that’s going to make you go to a URL to figure out what it’s all about is just a waste of the airtime. Who’s going to leave the game for that? And for Jeff Bridges acting creepy? No thank you.

But the biggest WTF this year was Nationwide Insurance’s “make safe happen.” I can’t even believe they chose THIS strategy, and chose THIS buy. Didn’t anybody over there THINK about what the typical super bowl viewing environment is? You’re talking beer, wings, chips, salsa. You’re trash-talking about your team. And wait, now we’re thinking about our potentially dead children? No, no, no. NO! Kids and puppies in advertising are great…but you don’t KILL them in your spots. Jeez! You’d think somebody over there knew the basic rules.

Outside of the Turbo Tax spot, there was no real altitude attained this year in terms of high concept approaches. A few bright spots, and a few duds. Oh, and Nationwide killing our children to make a very serious point at a really shitty time. And that’s STILL not as bad as that one really bad decision to pass at the 1-yard line by the Seahawks’ offensive coordinator late in the game.

Until next year, keep grinning!

Super Bowl 2014: Grins and Groans

First off, condolences to the Denver Broncos organization and their fans. That’s what we call a rough day at the office. And for those of you who are fans of Super Bowl advertising, it was kind of a rough night on the couch. Again.

Last year, we had a few “wows” interrupted by a lot of mediocre. Sadly, that trend continued through 2014. And at $133,000 per SECOND, that can mean some rough Mondays for some advertising executives.

SINGLE GRINS:
Radio Shack – good for them for poking fun at themselves as they make their re-rebrand statement. (Remember “The Shack” attempt from a few years back?) Best tweet of the night I read said something like “Radio Shack had to close 10 of their 12 stores to pay for that spot.” At least they’re trying.

Heinz – after sitting on the sidelines (yes, all puns intended,) for 16 years, Heinz returns with a feel-good spot to the tune of “If you’re happy and you know it…” Solid, simple, reminder advertising. The right message for a brand that already owns the category.

Wonderful Pistachios – for a brand that is trying to make hay in a highly commoditized category, Wonderful Pistachios made a strong statement for themselves with two :15s wrapped around the H&M David Beckham spot. They did a great job of getting out of the way, and letting Colbert be Colbert. Especially poking fun at themselves about a “lack of branding.” Really fun, really light, and memorably goofy.

DOUBLE GRINS:
T-Mobile’s Tim Tebow spots were absolutely hilarious, and I thought the most on-target/on-focus advertising of the night. Perfect symmetry between his situation (a national figure without a contract) and their basic brand position (mobile network service with no contract necessary.) He’s a good sport (yep, another pun) for poking fun at himself, the ads had high production and camp value, and I think this was a touchdown. (Ugh, that was shameless.)

Doritos brought high value humor to a crop of commercials that were otherwise meh. Add the fact that the spots were created by contest entrants, and you add a level of intrigue. Congratulations to Ryan Thomas Anderson for the winning entry and the $1 million prize. A second level of kudos to Doritos for matching good advertising with strong social activation, and (you may have missed this) an absolutely cool in-stadium activation: recordSetter got 30 people to don orange ponchos to create “the world’s largest human Dorito.” Pretty effing cool.

BIGGEST GRIN:
Chrysler 200 with Bob Dylan
So this was one of the (very few) spots that was not leaked or teased prior to the game, and it really paid off. Chrysler has embraced Detroit/Americana as a stand-in for the brand, and they have wrapped a powerful message around it. (Remember Clint Eastwood’s “halftime in America” ad? And the Paul Harvey “God made a farmer ad from last year for Dodge?” Yeah, same idea.)

They encapsulate this idea in the statement “Detroit made cars. And cars made America.” Overly patriotic? Sure. A tad pandering? Maybe. But powerful advertising? You bet your ass.

The best part is the finale of the 2:00 triumph, (delivered incredibly by a surprisingly articulate and pointed Bob Dylan,) with this: “Let Germany brew your beer. Let Switzerland make your watches. Let Asia assemble your phones.” Dramatic pause. Cut to Dylan in a pool hall talking directly into camera. “We. Will build. Your car.” Touchdown. Two point conversion. Game over. (Yeah. I went there.)

And now for the GROANS.

WTF GROAN:
Maserati introduces its new Ghibli sedan to America with an overly produced spot about “unleashing monsters” or something. Sure, I get that you can make a “big splash” with a Super Bowl ad…but wasn’t there ANYONE in the room saying “this might not be the best media buy?” And who named “Ghibli?”  If you’re going to introduce a “more approachable” brand extension (the Ghibli starts around $67,000) to an otherwise unattainable line, shouldn’t the spot be more, um, approachable?

SLOW GROANS:
Kia takes a target demographic couple on a spin through the Matrix with Laurence Fishburne in full Morpheus mode. Um, what? Or, rather, why?

Bud Light – Now here’s an instance where the social media leadup was better than the ads themselves. Bud Light’s three and a half minute brand film around the “up for whatever theme” was great. The two spots that got edited out of it…a little disjointed.

Beats Music Service introduces its “we’re better than Pandora” intuitive music service. Sounds like a cool idea. They made a nice spot, riffing on the Goldilocks folktale. Except they chose Ellen DeGeneres. Hmmm…is SHE the target? (Highly doubtful.) Is she RIGHT as being appealing to what we would imagine the target to be? (Still no.) So…why Ellen?

BIGGEST GROAN:
AUDI just completely missed the mark this year with “Doberhuahua.” After such an incredible showing last year with their “prom” spot, they go for the dopey CGI-laden humor trick of a Doberman cross-bred with a Chihuahua. They took their potshots at sappiness with knocks at kennel shows and Sarah McLachlan, and tried to wrap this around the idea that “compromise is scary.” It is. Especially in advertising.

End notes: Other hits and misses…
GoDaddy tried to capitalize on the “real time marketing” concept with a spot where a woman (Gwen) quits her job on live television. Interesting. And better than that gross makeout spot they ran last year. Wheeeew!

H&M’s ad with David Beckham was the first to be truly interactive…for a limited few. Turns out, if you have a Samsung SmartTV, you could have ordered product live through your television. Great strategy for the 327 people who actually own that tv.

Volkswagen’s “Wings” ad starts out as a really smart quality claim. Dad tells daughter that every time a Volkswagen hits 100,000 miles, a Volkswagen engineer gets his wings. Cut to German factory, where white-lab-coat-wearing engineers start sprouting wings. Funny concept, well executed. Major problem with this spot: NO FEMALE ENGINEERS. Not a one. Except that young lady in the elevator who slaps the other engineer. Wrong message to send to the world’s young girls, Volkswagen.

Until next year – keep grinning!

This article first appeared on Technorati.

What were YOUR favorite spots? Post in the comments below.