Branding Thingys

Advertising: starring social media

Nader AshwayLeave a comment

I’m sure you’ve noticed this, but the phenomenon of digital interactivity – and especially via social media – has become a pervasive theme in modern television advertising.  Everywhere you look, brands of all kinds are using dramatic setups in their spots that either include, focus on or ultimately lead to some kind of digital interactivity.

To clarify, this is not just listing all the places you can find the brand on social media with a tag at the end of the spots.  This is regarding the growing number of spots being ABOUT social media, and about our digital lives, and how the brands are woven into our modern lifestyles.

Survey Monkey, typically regarded as a b-to-b entity, has gone out with an appeal to the consumer audience, and claims that their platform can be used “for all kinds of things, including event planning.”  What I love about this spot is the way it’s contextualized (and well-directed, as the story bookends the extended spot) around the “original” survey model.  Molly leaves a note in little Johnny’s locker, handwritten with crayon:  Do you like me?  With two options:  Yes.  No.  Classic.

Now, obviously, it makes sense for any type of online platform to use the digital life as the basis for the creative.  Google has done this marvelously before in their search spots, and more recently in a spot for their Nexus 7 product, where they use the theme of “search” as the basis for interacting with their electronic gadget.  It’s good – and they touch the humanity button perfectly with good casting and a few carefully planned tugs at the heartstrings.

Samsung’s Galaxy S4, (whose advertising still confounds me, since they’re just marketing around features instead of trying to find differentiating benefits, but that’s another post,) has a new spot featuring a traveling baseball team.  A bored infielder is using the video capture on the device to film his sleepyhead travel companion.  As the nod-er-off-er’s head bounces, the video is captured, and the buddy starts to tool on the loop.

And that’s what’s interesting – the ad isn’t about the quality of the video the device provides, the number of megapixels on the device, or even the dopey “tap to share” feature on the device, but rather on the video loop that this kid will create with the device.  (A primary-grade-level feature on any smartphone today.)  Ostensibly, the owner of the Galaxy S4 in this case is merely considering what a great Vine upload this would be, or at the very least how many likes that GIF will get on Tumblr.  THAT’s the unspoken focus of this spot, and it marginalizes the brand in some ways, because you can do that with ANY bloody phone.

In another category altogether, Wendy’s has taken up the social-media-as-the-end-to-the-means with its latest spot for its chicken flatbread sandwich.  In the old days, we would have just created a situation-comedy style setup with the big laugh at the end and then a 6-second panning beauty shot of the sandwich.  Today, the dialogue and setup is totally based on social media:  male character walks in and starts the dialogue with “hey…you saw my post on this great bakery…” and then ends with him posting a pic of redheaded “Wendy” to Twitter. [They also tagged the spot with a hashtag #twEATfor1k.]

And it goes beyond fast food into several other categories.  One new car commercial (for Honda) touts its “the car reads your emails for you” feature, and positions it as a safety benefit.  Smart.  But stop and think about that for a moment:  the brand recognizes the need for us to stay connected to our digital lives, and has built in an e-mail reading feature into their vehicles, and is now running spots promoting that.  That goes way beyond MP3 players and partnering with Pandora for entertainment purposes.

Surveys.  Search.  Social media posts.  All taking a lead role in spots for big brands.  Going even further, many brands now are using crowdsourced images and videos as the visual basis for their ads. It’s an interesting paradox, or at least a healthy turnabout:  for years, brands have hoped to be discussed and passively promoted through social media and across the digital landscape.  Now, social media and the digital life are being actively promoted via brand advertising.

Why, Hightail?

Nader Ashway10 Comments

The very popular file sharing service, formerly known as YouSendIt, has now changed their name to Hightail.  No, keep reading…I’m serious.

This is what their homepage takeover message looks like:

hightail_takeover

So the obvious question is…why?  And let me qualify that question with some color.

Why, if you’re a file sharing service, a service that allows YOU to take a large file and SEND IT to someone else (for free on the basic plan, I might add) change your name from YouSendIt to, well, anything else?

Why, if you’ve invested all this time and money for nine years in the back end cloud storage virtualized pool infrastructure, and invested in acquisitions and technological upgrades, and invested in marketing and advertising, would you change your name from YouSendIt to, well, anything else?

Why, even if you’re announcing broadening your offering from file sharing into digital file collaboration services, would you change your name from YouSendIt to, well, anything else?

Why, when there’s nine years of brand equity built up, when you’ve outlasted some pretty high profile would-be competitors, (including the flailing DropBox,) when you’ve gotten 4 out of 5 stars from PC Magazine, when you’re finally turning a profit on the premium services, when you’ve become the generic term for Internet file sharing services (literally, people verb-ize file sharing as “I’ll YouSendIt to you later,”) would you change your name from YouSendIt to, well, anything else?

It could be a number of things.  It could be new CEO Brand Garlinghouse (formerly of Yahoo!) putting his fingerprint on the company he’s been appointed to run.

It could be that YouSendIt doesn’t sound sexy or silly enough, and they wanted to sound more like Yahoo!, or Hulu, or Etsy or whatever.

YouSendIt could have done a lot of things to refresh – which they’ve done with Hightail.  New, HTML5-coded website.  New features.  New look and feel.  Heck, they could have updated the logo.

And the folks at Hightail know the name thing is an issue.  It merits above-the-fold position on their homepage with a message that says “watch this short video to learn why we changed our name.”  Yes.  Let’s:

Okay, but still, the new name thing confounds me.  In the video, you hear some of the talking heads saying things like “the name YouSendIt constrained us in terms of our vision.”  [Tell THAT to Google.]  And “we don’t want a name that holds us back.”  And my favorite “we finally have a second chance to make a first impression.”  And that’s the quote that really stands out for me.

Because here’s the dirty little secret about branding that nobody teaches you in b-school.  You don’t get a second chance to make a first impression.  You only get one chance to make one impression to one prospect at a time.  And in my opinion, Hightail doesn’t make a bad impression.  It does something far worse.  It makes no impression at all.  It confuses rather than clarifies.

Don’t get me wrong.  I get “hightail” as a verb.  “I’ll hightail it over to you.”  Or “you hightail it over to me.”  But we’re not talking about meetings here.  [Really, “I’ll hightail it over to you” means “I’ll be right there.”  Not “I’ll get you that large file right away.”  So there’s even a semantics issue. Ugh.] Plus, it’s such a hipster-cum-corporate-acceptable piece of jargon. I wonder if they’re now headquartered in Dumbo?

From a pure brand perspective, the truth is that YouSendIt was a GREAT name for a brand.  It was functional.  It was short and sweet.  But mostly, and bestly (?) it conveyed a promise (You.  Send.  It. ) which, after all, is the heavy lifting of a brand.

Let’s watch and see what happens together.

Pardon Me, May I Borrow Some Equity?

Nader Ashway1 Comment

From a marketing perspective, Audi is having a strong first half of 2013. They started with this spectacular Super Bowl Spot, which I also covered in my Super Bowl Advertising Roundup.

As you can see, this spot is really strong advertising, very well executed, and by most accounts, very well received. Kudos to the team at Venables Bell & Partners for 60 seconds of fine storytelling, excellently produced.

What I really admire is the borrowed equity. Audi uses the (classic) high school prom and all its teenage-I-don’t-really-fit-in-and-I’m-secretly-in-love-with-that-girl angst as the thrust agent to propel the underlying storyline. There’s so much being said, without actually being said, that provides backdrop and motivation to the spot. In virtually any other scenario, you’d have to spend a lot of valuable airtime to establish that emotional context. Borrow some “prom” equity, and it’s built in. Smart.

Now, Audi releases another gem, a viral video called “The Challenge.” It’s a two minute and 44 second short featuring Zachary Quinto and Leonard Nimoy. For the four of you who can’t make that connection, they both share the role of Spock from the Star Trek fiction series, and this video is released just weeks before the next installment of the blockbuster film franchise “Into Darkness” is released nationwide. [Interestingly, and clearly not coincidentally, Audi is NOT the “official auto partner” of Star Trek. It’s Mazda. And they’ve gotta be pissed over there in Anaheim.] Take a look.

Again, aside from the fact that this is a really good piece of content, with a couple of really good laughs around the old man vs young turk struggle, it’s the Trekkie/Nimoy references buried in the action, the Star-Trek-ism of it all that fuels the comedic undertone. It’s geeky, and quirky, and you’re almost waiting for Sheldon from “Big Bang Theory” to make a cameo. By the way, did you notice that shameless kick in the crotch that Audi levels on Mercedes-Benz? OUCH.

In the short, there are plenty of jokes, and Nimoy even reprises his old Bilbo Baggins vocalizing as part of it. It’s camp. It’s fun. It’s for FANS. It’s content dissemination that’s approaching four million views as of this writing. Yeah. FOUR MILLION.

In both cases, Audi was smart and crafty enough to pull some strong messaging together and dress it up with sexy shots of the latest A7 vehicle. But they go a step further and deliver those messages to consumers in powerful emotional packages that ALREADY have trust and memory and gravity built in. It is indeed “fascinating,” and I, for one, can’t wait to see what they do the rest of this year.

Live long and prosper.

[This article first appeared on Technorati.]

Facebook’s Mobile Phone: Three Reasons to “Unlike”

Nader Ashway3 Comments
facebook-phone
Concept art courtesy of Gizmodo

Facebook is set to announce this Thursday the release of the Facebook Phone in partnership with HTC. According to the latest mobile report from The New York Times, the plans are to manufacture the first smartphone designed around the total social/sharing experience that Facebook enables. Maybe it’ll be called PhoneBook? Ugh.

On paper, it’s a really good idea. More than a billion people use Facebook on a regular basis to connect with friends, weigh in on political ideas, and just generally brag. And as it turns out, MOST of them are posting, liking and commenting from a mobile device.

However, this announcement is NOT on paper. It’s real. And on most levels, it’s kind of silly. Facebook has become one of the most visible, one of the most recognized, and one of the most important brands on the planet, (although, according to the stock price relative to the IPO, NOT one of the most valuable.)

And yet, with all the Stanford MBAs on staff in their marketing and operations departments, is there anyone there voicing an opinion that this is a thinly veiled brand extension that’s simply designed to appease shareholders with a strategy to create more revenue streams? Because, let’s face it folks, that’s what it is.

The subtext of the “exciting” and “new” direction for Facebook is to have another screen for advertising. Period. Facebook’s entire valuation was built – however hastily, however erred – on the idea that a billion+ eyeballs is a road paved with advertising gold. Add another screen, and you can charge another scale. The new rate card must be getting a design makeover just like the news feed.

But that road to gold, being paved this week with this mobile announcement, is pocked with obstacles. From a marketing perspective, these three obstacles indicate a likely FAIL and another rough year for Zuck & Co.

Obstacle #1: A partnership with a questionable partner.
Facebook is partnering with HTC, a manufacturer that, as of the end of 2012, has less than 5% of the total global smart phone market share. What’s worse, the HTC moniker is inextricably linked with another epic fail of corporate overreach, RIM, and the BlackBerry platform.

Why not partner with the #1 or #2 player? With the heft of Facebook, why not approach Samsung or Apple and design a custom “version” of their popular phones designed more smartly around the Facebook experience? The full version of Android (the HTC model is using a modified version of the system,) or iOS would provide more seamless integration into the consumer’s current mobile experience. Facebook is still acting like a startup strapped for cash, when it should be carrying itself with the mien that they ALREADY have a seat at the big boy table.

Obstacle #2: Consumer adoption.
Brand extensions are a dangerous proposition, even in the best-case scenarios. And in this case, (which is not the best case,) it’s super-duper dangerous. As it stands, the consumer already has the option to have a BETTER piece of hardware than HTC, (with S3 and the soon-to-be-the-most-popular-phone-on-the-planet S4 or any of Apple’s iPhones,) a BETTER piece of software via the Facebook app on either the Droid or iOS platform, and the chances are the consumer ALREADY owns a device she’s happy with.

So it’s highly unlikely that someone is going to rush out and buy an inferior piece of hardware, running an inferior operating system to run an OS that’s focused on a social network so they can take pictures and post status updates from their home screens. The rest of the world already does that with relative ease and great enthusiasm.

Obstacle #3: Increased operational workflow and costs.
As if Facebook doesn’t have enough going on internally, (acquisition plans, acquired partners spinning off, implementation of contextual advertising, implementation of graph search, etc.,) now they’ll have to add a bunch of new pieces. This might include a coding team to fix v.1 bugs, a customer service department devoted to mobile, internal teams to interface with HTC, a dev team to work on v.2 and beyond, marketing and advertising expenditures around the device, operations around packaging and distribution and on and on. Yeccchhh.

I’m no Stanford MBA, but when you have increased operational expenditures, increased marketing expenditures and are projecting – at best – to penetrate a 5% piece of the pie, chances are you’re going to have to dip into your pocket to support this new initiative with a boatload of short-term cash.

Zuck, here’s my advice. KILL this deal before it erodes the stock price and further erodes consumer perception about Facebook quickly becoming the “uncool” social platform.

Want some free ideas?

– Blame HTC as an unreliable partner.
– Cite your unusually high expectations for the platform as a reason to delay the rollout.
– Say you’re working on even bigger and better features and you think you’ll roll out by Christmas.

In the last year or so in Menlo Park, you’ve already misstepped with the privacy policy bungle, the pace of HTML 5 integration, un-hipping Instagram and more. Right now, you need some WINS. And acquiring Hot Studio last week is not what I mean.

Wanna have lunch?

This article first appeared on Technorati.

Brands: Are they nature or nurture?

Nader AshwayLeave a comment

I’ve been doing a lot of talking, teaching and pitching around the concept of brands, and it seems that a lot of people – including professionals in the brand business – still have wildly differing ideas about brands and what they are.  And while this post is NOT intended to clear everything up in 500 words or less, I do think that looking at it from a different perspective will help.  So let’s evaluate brands on the simple x/y coordinates of nature vs. nurture.

Let’s take a simple consumer category, like ketchup.  If we’re developing a NEW ketchup brand, we’d have to fit it in the market alongside the primary players like Heinz and Hunt’s and Del Monte, and let’s throw in the niche marketer Annie’s who owns the “all-natural” position.  Aside from the typical line extensions (organic, gluten-free, sugar free, etc.) not a very cluttered market at all.

ketchup_brands

The basic NATURE of brands in this category:

Ingredients
Texture
Flavor

If you were going to enter a competitor into the market, the brand would have to declare itself different by nature (a unique flavor, or a unique combination of ingredients, maybe they only source specific tomatoes, etc.) and then – and this is the important part – have to become different by nurture.

The way brands in this category are NURTURED:

Price
Packaging
Distribution
Merchandising
Advertising (national vs hyper-local)
Social Efforts
Publicity
Partnerships/Sponsorships

So we could develop a brand (let’s call it Kelly’s) and give it a certain NATURE so that it fits in the category and has a chance to carve out some market share.  Let’s suppose Kelly’s is sourced using only organic plum tomatoes from Italy, packaged in a really cool NON-plastic carton, and is frequently preferred over Heinz during blind taste tests.  (Lots of differentiation points there, and also lots of category parody.)

On its own, the brand’s nature should allow it to enter the market and do fairly well (given the right distribution.)

But here’s where you see that brands are NOT just the sum of what they’re made of.

For Kelly’s to survive – and ultimately, thrive – the real work would be in changing the hearts and minds of those who are in the market for ketchup to allow them to make “mental room” for a new player.  With Heinz owning about 55% of the market, Hunt’s about 20%, Kelly’s would be competing with Del Monte and “all others” for a piece of the remaining 25% of the roughly $1 Billion ketchup market.  At first.  But given the right climate, the right amount of time and the right combination of nature and nurture, there’s no arguing that Kelly’s could ultimately unseat Heinz for the #1 spot.

But how much would that cost, and how long would that take?

The answer lies in how the brand is NURTURED.  If the advertising is cool, and the brand selects some pretty cool partnerships and sponsorships, and doesn’t overly rely on price promotion, and does well on the b-to-b side with slotting and merchandising, and doesn’t suck, then it’s likely that nurturing won’t take too long.

However, if ANY of those things is slightly misaligned, and misperceptions ensue, then it will certainly elongate the process of adoption.

Brands are a phenomenon in two important ways.  First, they’re a perceptual phenomenon. Brands don’t actually exist.  As I’ve told my students, there’s no vault somewhere in Pittsburgh where the Heinz brand is “locked away.”  It simply exists in the minds of consumers as a sum of experiences and interactions.  And while all those versions from all those consumers are slightly different, they do share a basic collective complexion.

Second, brands are a cumulative phenomenon.  Meaning that those experiences, interactions and overall perceptions are forged over time – good or bad – and the one-word phrase that you may connect with the brand (“rich,”  “thick,” “sweet,” whatever,) gets more and more embedded over repeat impressions of that initial imprinting on your mind.

Until ultimately, brands are weighed in the moment of truth in the condiment aisle when the consumer ponders whether she wants “thick” or “sweet” or “rich” when it comes to what she’s putting on her next burger.

So – are brands nature or nurture?  Yes.
But the real work begins ONLY after you’ve gotten everything right.