Super Bowl 49 – Grins and Groans

If you’re a football fan, you liked this game. A slow burn, with twists and turns, and a dramatic finish. Good stuff. (Unless you’re a Seahawks fan, then, not so much.)

If you’re an advertising fan, you got pretty much a reflection of the game: a kind of slow and steady stream of ads, none of which made you say “wow,” and a few headscratchers late.

Mostly, we were left with questions:
Where were the really big ideas?

Where was Chrysler? (there was only the one Fiat spot and it was pretty funny) – but after Dylan, Eastwood and Eminem, they had set the bar pretty high, and not seeing them in the game was weird.

And seriously: what was Nationwide thinking???

A few themes this year that were notable:

Dads – three advertisers embraced dads this year: Dove, Nissan and Toyota. (And we’re not sure why, exactly.)

Puppies – Bud’s follow-up to “Puppy Love” from last year, and GoDaddy’s “controveersial” spot that never made it to the air (and it should have, since their “replacement” spot was meh.)

Celebrities poking fun at themselves:

Kardashian for T-Mobile was really good and funny and actually made good advertising.

Brosnan for Kia was very well done and a big grinner for me.

Pete Rose for Skechers was actually cute, and he was a good sport to take on that sensitive subject matter with such air.

The Esurance spots with Lindsay Lohan and Bryan Cranston proving that “sorta” is not good enough were pretty good.

And Liam Neeson absolutely KILLED IT in his I’m- a-badass-and-I’m-coming-for-you brogue for Clash of Clans.

The ads that made me grin:

Fiat and the little blue pill:

Mercedes Benz fable

Coke

Double Grins:

BMW i3 with Katie Couric and Bryant Gumbel

This spot was funny, had great performances, and made an excellent point: big ideas take a little getting used to.  Smart, and very non-typical auto advertising.

Snickers Brady Bunch

Snickers took their “you’re not you when you’re hungry” to a great new place, by going to a great old place.  Well done!

Doritos – When Pigs Fly

This wasn’t my favorite of the Doritos “crash the Super Bowl” ads, but it was still entertaining, light-hearted, and well-executed.

But my biggest grin came early in the game when I saw this spot from Turbo Tax:

Man this was just flat out good. High cinematic value in the production of the spot, and high concept in rewriting history around a simple (and relatively benign) benefit of “free filing.”

Of course, we all know it’s free to file your federal return. But you still have to pay for the software of course, and for state taxes, you’ll still shell out that pesky little 29.95 or so. Bah, details. They made a great ad!

As usual, there were some groans this year.  And one flat headscratcher.

Groans:

Cure.com insurance (pair of 15’s) – bad jokes, worse production.

Jumlia – credit to coming into the game as a first time advertiser, but it was forgettable – an animatic for toenail fungus. They could have made like a billion or so targeted impressions online, and still had a couple million bucks left over to buy a whole bunch of spots during the professional bowling championships later in the year, when toenail fungus really flairs up. (Duh.)

Squarespace with Jeff Bridges – just weird. Any ad that’s going to make you go to a URL to figure out what it’s all about is just a waste of the airtime. Who’s going to leave the game for that? And for Jeff Bridges acting creepy? No thank you.

But the biggest WTF this year was Nationwide Insurance’s “make safe happen.” I can’t even believe they chose THIS strategy, and chose THIS buy. Didn’t anybody over there THINK about what the typical super bowl viewing environment is? You’re talking beer, wings, chips, salsa. You’re trash-talking about your team. And wait, now we’re thinking about our potentially dead children? No, no, no. NO! Kids and puppies in advertising are great…but you don’t KILL them in your spots. Jeez! You’d think somebody over there knew the basic rules.

Outside of the Turbo Tax spot, there was no real altitude attained this year in terms of high concept approaches. A few bright spots, and a few duds. Oh, and Nationwide killing our children to make a very serious point at a really shitty time. And that’s STILL not as bad as that one really bad decision to pass at the 1-yard line by the Seahawks’ offensive coordinator late in the game.

Until next year, keep grinning!

Pardon Me, May I Borrow Some Equity?

From a marketing perspective, Audi is having a strong first half of 2013. They started with this spectacular Super Bowl Spot, which I also covered in my Super Bowl Advertising Roundup.

As you can see, this spot is really strong advertising, very well executed, and by most accounts, very well received. Kudos to the team at Venables Bell & Partners for 60 seconds of fine storytelling, excellently produced.

What I really admire is the borrowed equity. Audi uses the (classic) high school prom and all its teenage-I-don’t-really-fit-in-and-I’m-secretly-in-love-with-that-girl angst as the thrust agent to propel the underlying storyline. There’s so much being said, without actually being said, that provides backdrop and motivation to the spot. In virtually any other scenario, you’d have to spend a lot of valuable airtime to establish that emotional context. Borrow some “prom” equity, and it’s built in. Smart.

Now, Audi releases another gem, a viral video called “The Challenge.” It’s a two minute and 44 second short featuring Zachary Quinto and Leonard Nimoy. For the four of you who can’t make that connection, they both share the role of Spock from the Star Trek fiction series, and this video is released just weeks before the next installment of the blockbuster film franchise “Into Darkness” is released nationwide. [Interestingly, and clearly not coincidentally, Audi is NOT the “official auto partner” of Star Trek. It’s Mazda. And they’ve gotta be pissed over there in Anaheim.] Take a look.

Again, aside from the fact that this is a really good piece of content, with a couple of really good laughs around the old man vs young turk struggle, it’s the Trekkie/Nimoy references buried in the action, the Star-Trek-ism of it all that fuels the comedic undertone. It’s geeky, and quirky, and you’re almost waiting for Sheldon from “Big Bang Theory” to make a cameo. By the way, did you notice that shameless kick in the crotch that Audi levels on Mercedes-Benz? OUCH.

In the short, there are plenty of jokes, and Nimoy even reprises his old Bilbo Baggins vocalizing as part of it. It’s camp. It’s fun. It’s for FANS. It’s content dissemination that’s approaching four million views as of this writing. Yeah. FOUR MILLION.

In both cases, Audi was smart and crafty enough to pull some strong messaging together and dress it up with sexy shots of the latest A7 vehicle. But they go a step further and deliver those messages to consumers in powerful emotional packages that ALREADY have trust and memory and gravity built in. It is indeed “fascinating,” and I, for one, can’t wait to see what they do the rest of this year.

Live long and prosper.

[This article first appeared on Technorati.]

Super Bowl 2013: Grins and Groans

Super Bowl 47 is in the books, and with it, so is another chapter in advertising history. Football fans got what they wanted – a very exciting game that came right down to the end, with strategy, comebacks and even a second half blackout to make it interesting.

Advertising fans, not so much. The advertising was generally blah. No real game-changers this year. Just a lot of bland messages delivered in neat packages. Not including a ZILLION CBS promos, there were nearly 70 commercial airings between the National Anthem and the final play of the game. So here are my GRINS and GROANS for Super Bowl 2013.

SINGLE GRINS:

M&M’s doing a funny riff on Meatloaf’s “I Would do Anything for Love”;
Oreo’s “Library” whisper-romp;
GoDaddy’s “don’t wait to register”;
Sodastream’s “bottle savers”;

DOUBLE GRIN:
I loved the Tide “Miracle Montana” spot. Well thought, well executed, and well played by the wife character (who happens to be a Ravens fan, duh) in the spot. Smartly executed. Would have loved to have seen it in the first half, though.

BIGGEST GRIN:
Has to go to Audi for its “prom” spot*. It was one of the very few spots that drew the viewer in with a real narrative tone and you couldn’t help but rooting for the main character. In the spot, we learn of a young man who is clearly depressed about having to go to the prom by himself. But Dad intervenes, throws him the keys to the new Audi, and the kid starts to feel his oats. He races a limo off the line at a traffic light; he parks in the principal’s spot at school, and he walks right up to the prom queen and plants the I’ve-loved-you-since-6th-grade kiss on her. But he pays for all that courage. The final scene: same boy, driving home, black eye: Best. Prom. Ever. The spot ends with the tagline “Bravery. It’s what defines us.” See it here:


* BUT WAIT. There’s an asterisk. Here’s a note on why Audi’s minute-long love story is not a perfect message, especially considering the mostly male 20-something audience. While I appreciate the courage it takes to finally let your feelings be known to the girl of your dreams, it does NOT excuse the behavior of this boy. Kissing a girl without her permission is simply NOT okay, (even if she secretly liked it.) I love seeing a hero, especially in advertising. But NOT at the expense of a young woman’s privacy and dignity. So it makes sense that he gets socked in the eye. But societal norms, or better judgment, or an ad agency that should have known better, should have PREVENTED that scene from happening, instead of him being punished by a jealous prom king boyfriend. If this spot were politically correct, he would have gone stag to the prom, exchanged some nervous glances with the prom queen, and then perhaps they could have met at the punch bowl for a MUTUAL confession of their affections. I would much rather see him drive home with her phone number scribbled on a napkin…the promise of a future rather than the finality of a blaze of glory. The promise is what most of us can relate to. The hope. The hope against hope. The what’s-next-in-this-crazy-story anticipation. And heck, I’d rather do all that waiting in a nice Audi. Too bad – they went Hollywood and did a less-than-perfect spot. But, gosh, it was still really, really good advertising – using storytelling wisely.

And now the GROANS.

The WTF GROAN: I just don’t even get it.
Ram’s “Paul Harvey/Farmer” spot. Wow, what a wonderful sentiment. Wow, what a terrible waste of money for a car marketer.

SLOW GROANS
Taco Bell’s “retirees’; a long way to go and too far-fetched for fast food
Beck’s Sapphire “singing fish”; NOT the bom-diggity it was intended to be
Mercedes “devil”; just seemed like a waste of talent, all those teases and airtime.

BIGGEST GROAN
GoDaddy’s “kiss” spot. Besides being gross, it (again) decided to denigrate women in the process of making a point about style and substance. UGH! At least throw us a curve ball and make Bar Rafaeli the IT girl. Jeez!

What did YOU think of the Super Bowl spots? I’d love to hear!

This article first appeared on Technorati.

Samsung Galaxy S3 ads: a “touch” of tech FAIL

I’ve been seeing these Samsung Galaxy SIII commercials for months now.  You know, the one where two people “touch” phones and magically share stuff, like playlists or videos?  The first spot (not included here,) made its debut just prior to the release of the iPhone 5, and poked some good fun at Apple and their devotees waiting on long lines for the next great phone offering.  Samsung apparently has gotten good feedback from these spots, and they’ve rushed out several more.

Take a look:

And while I think they’re very good commercials (they each create a moment of drama centered around the product – that’s always good in advertising,) I’m just not sure it’s very good technology.

Let’s get this straight.  We’ve packed supercomputer technology (no really, the average smartphone today has more actual digital technology in its main chip than NASA – all of it combined – had at its disposal to launch the Apollo rocket into space,) into a tiny wireless device that fits in your pocket and runs practically all day on one battery charge.  With a smartphone, you can send a message – text, photo, video – INSTANTLY to your cousin in Kuala Lumpur (doesn’t everyone have a cousin there?) by pressing a few buttons.  [And actually – unless your name is Blackberry – there are no buttons!  It’s just glass with pictures of buttons! ]  With a smartphone, you can download music from the ether, and then listen to it in a matter of seconds.   With a smartphone, you can play an interactive video game, along with three friends in three different cities, in real-time.  And with these cooky add-ons called apps, you can harness vast amounts of neatly packaged information about whether or not your plane is on time, the history of nearly everything, how your stocks are doing and your absolute place in the world through a global positioning satellite.

So with ALL THAT technology literally and figuratively at your fingertips, are we supposed to be impressed that you can “touch” phones and share information?  Is that really a big deal?  Let me make it easy for you:  no, it’s not a big deal at all.

In fact, it’s counterintuitive.  For more on that, see my earlier post on Intuitive Marketing.  Because the very essence of having a wireless device is to figuratively “connect” you to people who are NOT close to you.  This idea of having to be in the same physical space as someone to enjoy the fullness of the phone is downright dopey.  It’s cheap.  It’s a throwaway feature that somehow got left in, and now Samsung is spending tens of millions of dollars trying to convince us how cool it is.   It’s not cool to touch phones.  Actually, I think it’s a little weird.  What’s next?  The Samsung Galaxy S4, now with WIRES to connect to every phone together?

Look in your own smartphone right now.  I’ll wait.  Of all your contacts, how many of them are within one square mile of where you are?  Not many, right?

So let me be very clear here as to why this advertising is twisting my knickers.  Samsung is essentially taking the LEAST useful, least helpful feature of their product and making it the MAIN focus of their advertising.  It’s like BMW running a complete campaign for their latest luxury model and focusing on the idea that you can roll down the windows with this neat little bar that you can insert into the door and turn it over and over again until the window is down.  Sure, the car’s got power windows that let you do that with the touch of a button, but LOOK!  You can roll it down by hand if you want! Ugh.

Lesson for all marketers, big and small:  be proud of your products, and celebrate them and their features through advertising.  But go to the HIGHEST value of your product (not the most gimmick-ey,) and start there.  Don’t beat us over the head with something that’s really not that important, or even really that cool, and then try to convince your audience that it is.  That’s not just bad advertising.  It’s bad business.

This article first appeared on Technorati.