Author: Nader Ashway

Sex Sells, But Who’s Buying THIS?

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This post is a review of the latest commercial spot for Clorox brands’ Liquid-Plumr Double Impact Snake and Gel System.  The product is a 2-task clogged drain treatment that includes a small plastic snake to first remove impacted sediment, then a liquid gel to dissolve the rest of the impediment. (Say THAT 10 times fast.)  The snake and the gel come blister packed in one package. The spot is from DDB San Francisco.

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As much as I hate to admit it, I love this spot.  I submit that it’s sexist, and in poor taste, and overtly references hardcore porn, but it’s done in pure camp style, and that’s the rub.  (Sorry, I couldn’t resist.)  It’s a joke, and the advertiser has let us in on it right at the outset of the spot.

If you haven’t seen it, let’s dispense with that.  Click below and enjoy the next 60 seconds.

Okay, so the first thing you notice is this wonderful actress and her clearly over-the-top acting.  We know in the first three seconds that she’s totally goofing, and the dream sequence that follows is equally tongue in, er, cheek.  (Can I say that?)

So let’s play conservative politician for a minute and discuss what’s wrong this spot.  Yes, it’s WAY over the top.  If you’re going to borrow a porn reference for the camp factor, great.  Cue the 70’s funk soundtrack.  Get the Barry White voiceover.  Maybe even do the overt undo-your-pony-tail-and-lick-your-lips thing (which is hysterical in this performance.)  But to borrow a reference like “double impact?”  There’s way over the top, and then there’s way over the top, through the ceiling and out of the building.

The other issue with borrowing that reference (which I WON’T describe in any detail – look it up yourself,) is that it seems like, for most women that this actress identifies [I got stay-at-home soccer mom or maybe working mom who’s clearly repulsed–in a curious, grossed out sort of way–by even the name of the product,) the idea of the hardcore reference is really left field and really unappealing.  It’s not something a little risqué like doing it in the car, or in a public place.  For most women, this is not a “well, maybe I’d try that once,” it’s a No Way. Never.  Nuh, uh.

So in that sense, I don’t quite get it.

Having said that, it’s executed really well.  She’s standing in the plumbing and home cleaners aisle in the supermarket, and gets lost in this fantasy with two strapping men who arrive at her door to service her completely.  “I’m here to snake your drain,” says the well-bicepped young man (not unnoticed is that he’s gently stroking the snake.)  She’s already woozy. And before she can even compose herself, hunk #2 shows up with “I’m here to flush your pipe.”  She giggles, almost anesthetized, “..huh, uh, okay.”  Again, I can not understate the value of this actress’ performance…she is KILLING it!

Then we get to the really well-done product demonstration.  We cut from video to some smart, well-executed motion graphics, and then back to video as that deep-throated (sorry) VO gives us the product features (“…and a powerful gel to finish off the rest, baby.”  Classic!)

And then in an instant, she snaps out of her sexy daydream and realizes she’s standing in the supermarket.  [Great cinematic work here too…the lighting is suddenly harsh…the clothes go back to ordinary and drab colors…her glasses and her hair are competing for most disheveled accessory…) She glances over at the deli guy (slicing meat) and then a produce worker, (holding some healthy melons) and it turns out they’re the hunks in her daydream.  Both empowered by her ability to entertain this fantasy and equally shocked by it, she clumsily turns her cart around and flees the scene…but NOT before grabbing an additional TWO packages, just in case the, um, urge, hits again at home. (Nice going, Clorox…sneak in a little serving suggestion of buying multiple packages.)

So this ad goes right to the edge of good taste then takes a giant leap PAST that edge.  But it does so with so many elemental factors and advertising conventions intact, it works and entertains and educates all at once.  If you don’t get that it’s a joke, your name is likely Rick Santorum, and you’ve actually watched porn with a “double impact” scene and are repulsed that you liked it – all 17 times.

If you do get it, you recognize that, while it’s a pretty big leap and a pretty big borrow from a pretty dark porn place, it’s a really strong piece of advertising.  And it’s no surprise that it’s gotten more than 1.6 million views (at the time of this writing) on YouTube.  We could explore another whole post on THAT value alone.

Distribution: The Inconvenient Truth for Brands

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marketing thingy blog image - distribution

I was having a conversation recently with a woman who is SERIOUS about fashion. She dresses impeccably, and cares pretty deeply about the name on the tag inside every skirt, blouse and shoe she wears. I posed a question: “what if you could get (insert uber brand here, like Christian Louboutin, for instance) at a discount retail outlet like Costco? Would you do it?”

She shot back: “NO WAY.”

Now, pardon the “focus group of one” here, but this seemed to shed some light on an interesting sub-topic of marketing, which seems especially important considering it also impacts one of the four cornerstones of our entire industry.

As our conversation went on, it turned out that even a significant savings of 10-15% wouldn’t be enough to convince her to go to a discount retailer for the toppermost brands she so covets. She also believed that most people (men AND women) who are serious about fashion would agree.

As it turns out, “where” may be as equally important as “what” when it comes to the experience of brands, and not just fashion brands. Distribution strategies (also known as “Place” in marketing 101) help consumer brands reach customers, typically creating a factor of convenience or an experience of excellence, depending on the brand and the target audience. But this paradox seems to touch so many aspects of marketing, such as price, product, place, brand ethos and even consumer perceptions. Let’s examine.

The Price Question
Many brands are sold at retail outlets and also online through many e-tailers, which may include the brand’s own website. (This is true in almost every category: fashion, appliances, electronics, home goods, food and beverage, health and beauty, etc.) In some cases, price shopping is a driving factor. In other cases, it’s not. Some brands don’t discount because they built their brand to own the high price position, or (with a case like Apple) the prices are simply non-negotiable. (You can’t get a “cheaper” iPod anywhere – the prices are fixed.) So unless the price is steeply discounted for a brand at one outlet over another, the consumer will likely choose to shop at a distribution point (online or offline) that is either a.) convenient or b.) preferred.
So, regarding price, the distribution strategy matters.

Brand and Perception
For a high-end brand (like Louboutin,) there is a perception that it can’t possibly be sold at places other than the most selective boutiques. That’s part of the brand’s equity. But for mass market brands, and even discount brands, the locations still have to match up with the brand personality. The distribution center, then, becomes a very important aspect of building the brand. (You won’t hear THAT much from your agency!) It’s just as weird to find Louboutin in Costco as it is to find Wrangler or Lee jeans at Nordstrom. It’s just a disconnect that can impact the brand, and for that matter, the brand perception of the retailer, too!

Note: In other cases, the brand and the distribution center are inextricably linked to cement the brand and its perception. Think Old Navy.
So, regarding brand perception, the distribution strategy matters.

The Consumer Experience
Finally, in some cases, the consumer experience gets folded into the overall brand offering. If you’re a high end fashion brand, you want to manage the entire experience of how the consumer goes about acquiring their next piece of your clothing: the way the store looks, the way the salesperson greets and works with the consumer, the fitting room experience, the checkout and most certainly the bag or packaging she’ll walk out of the store with. (Note, this is different than product packaging, which is a discipline unto itself.)
So, as it turns out, where DOES matter to consumers, across almost all points of concern.

It’s time for more marketers and agencies to get with this inconvenient truth, and start building brands to include the distribution ecosystem as a key brand building block and cornerstone of brand maturity.

The Law of Constant Improvement

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In marketing, most brands that are enjoying success are likely doing so because they created something that WORKS. Whether it’s a consumer product like a vacuum cleaner that never loses suction, or the standard-setter in smartphones or a business-to-business service like an ad network or a social media platform or even a service provider like an ad agency or web development firm, something is WORKING. It could be the product design, or the solution to a common problem, or a specific process or a recipe or even an algorithm.

But what’s the secret sauce that KEEPS brands thriving? How do we move from enjoying just a modicum of success to relishing a systematic pattern of victories and enduring prosperity? While some may chalk it up to luck or a charismatic CEO or market timing, I assert that the most successful and most profitable brands in every corner of the marketing world all share a similar trait: they employ the Law of Constant Improvement.

When brands (in virtually any category) are thriving, it’s typically due to a combination of factors that include the basic food groups: an ability to deliver [manufacture/write/uncover/sing/whatever] something of value, an understanding of the market environment, an understanding of the target consumer needs, an understanding of limitations and mandatories, and so on. But the lasting effects of excellence are usually garnered by a sustained and even obstinate desire to continue improving on current successes.

The Law of Constant Improvement states that you are never quite “there” yet. While you may be enjoying success (and profits,) there is no qualifying reason to halt the process of improvement. And in this law, improvement is not one-sided. Normally, we would focus on the consumer audience, and how to make the product/experience/service better for them. But brands can constantly improve internally, [financially, operationally, culturally, philanthropically] as well. This is true if you run a small business, a large corporation, a non-profit or a community. It’s especially true if you’re in marketing.

A healthy side effect of The Law of Constant Improvement seems to be a proclivity towards extended tenure. It becomes evident when you review success stories in almost any category: a technology leader like Apple; an online leader like Amazon; a consumer leisure brand [or is it a retail experience? or is it a coffee shop?] like Starbucks; a band like Coldplay.  All seem to factor a common denominator: they are constantly striving to improve. And it doesn’t have to be big, blue-chip brand business: local and regional marketers can employ the same law, and alter their DNA to replicate success. The evidence seems to suggest that brands who continue to improve with a near-obsessive regularity become leaders.

Another aspect of The Law of Constant Improvement is its ability to permeate into the corporate culture. It’s clear that brands who adopt a process of constant improvement don’t do so as a line item operational procedure, but rather because it’s embedded into the personality of the company, and into the personality of each employee. It turns out that constant improvement is less a thing to do, and more a thing to be.

Also note that in the inner gears of today’s consumer-centric commerce machine, the market has come to DEMAND constant improvement. That’s just the new rules at play. There’s so much competition and customization out there that brands have to continue to evolve each product and feature to keep their audience(s) engaged and entertained.

It would likely be a lot easier to happen on a formula and then just keep churning it out for eternity. (Note, for some brands, that’s a solid strategy – see Coke vs. the New Coke debacle.) But for the vast majority of brands, The Law of Constant Improvement is the new mandatory to continue to engage your original audience, to roll up new fans, to outperform expectations and if you fit into this category, to satisfy shareholders.

So start improving today. And be prepared to never stop.

Are you a “wham-bam-thank-you” brand?

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So much has been written about social media, it’s hard to find a spot that hasn’t been filled with advice, and best practices, and case studies and epic fails and wow-how’d-she-get-700,000-followers white papers.

And yet it still seems that many brands (even the big, smart ones) think of social mediums like they think of traditional mediums:  each a single-shot source for their single-shot message.  But the key (and obvious) difference between social media and all the others is this:  social is your always-on messaging tool.  Whether you like it or not.

In traditional media, (like print or broadcast, for instance,) you choose to make your presence into THEIR schedule and THEIR available inventory.  So you want to do a big spring push for your b-to-b message? You put it in every book’s March issue, and maybe you do some PR around the big events that month, and maybe you sponsor the March business meeting at the national association’s conference.  Perfect.  Same is true with b-to-c:  get in the books, get on a tv or radio schedule, send out the press release and Wham! Bam!  Thank you, Brand! Your presence magically appears on the consumer perception field at the precise time.  Then you can disappear for three months while you tally your ROI and your other magical KPIs to convince the bean counters to do it again next quarter.

But social is different.  Social certainly cares what message you’re pushing, but definitely not WHEN you want to push it.  Because social is less a medium and more of a monitor.  Social is ALWAYS ON.  Because your customers (whether they’re teenage girls or the C-suite types,) are always on. Listening.  Watching.  Waiting.  Wanting to engage.  Wanting to converse.

That’s why more brands FAIL in the social media sphere than they expect to.  Some marketing professionals treat social media like a one-off insertion instead of a constant scheduled presence.  When brands start pulling consumer comments off their Facebook pages, or have to yank tweets from their agencies, it’s not because those content nuggets are not part of the conversation (although they may wish they weren’t.)  It’s because “conversation” was never a chapter in “how to write a marketing plan” before about the last three years or so.  This stuff is still pretty new.  It was easier when marketing was a one-way proposition.  Now it’s decidedly a multi-voiced interaction, and brands have to listen.  Even if what’s coming back is very negative.

It’s not that brands will ever STOP doing timed marketing, or running themed promotions, or launching stuff in a huff.  [Jeez, without those deadlines, how would any of us know we have a pulse?] But in the new media age, timed marketing activity has to start fitting in with your ongoing social conversations.  NOT the other way around.

Super Bowl Advertising on AUTO-Pilot?

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For the most part, the super bowl spots this year were, well, less than super. No really big ideas. No breaking of any molds. No we’ll-be-talking-about-this-in-20-years executions. It’s not that they were bad. They just weren’t memorable. And in the world of advertising, if you can’t do memorable, you can’t do anything.

Let’s spare the knocks and gaffes. We all know what those were. (A kid peeing in a pool for a free online tax service? Really?) Instead, I’ll focus on the few standouts in the automotive category and see if we can highlight some themes to remember if and when you ever have the chance to put your brand on the grandest stage of all.

For my money, GM wins the night with their “2012” post-apocalyptic survival spot for Silverado. A Silverado pulls out of the gray rubble of the aftermath with every cliché in tow: a rugged middle-aged man, his trusty dog and, of course, Barry Manilow crooning “Looks Like We Made It.” Even the Transformers (yup, that’s Bumblebee’s head laying on the side of the road,) and the alien ships couldn’t outwit the Mayan foreshadowing. But Silverado did.

And in the gutsiest move of the night, GM takes on the competition by name. The main character meets up with three other Silverado drivers and asks, “Where’s Dave?” A saddened friend reports the dreary news: “Dave didn’t drive the longest-lasting, most dependable truck on the road…Dave drove a Ford.” Home run. Say goodnight Gracie. That’s all she wrote. Best spot of Super Bowl R2D2. Take on the competition by name, and kick ‘em in the ding-ding. Then share a Twinkie.  Wow.

In general, cars made the best showing as a category, but also seemed to demonstrate the weirdest strategies. Audi (with agency Venables + Bell) spent $7 million on the 2-minute “Vampire Party,” which is a neat little spot that goes a LONG way to make a point about their LED headlights, which apparently recreate daylight so well they fry vampires. I love advertising that’s singular and focused and creatively makes a point about a particular feature. So points for telling us SOMETHING about the car. (More than others can say.) But on the Super Bowl? Let’s keep it brand-ey, okay?

Fiat: fantasy about a gorgeous Italian woman with all the soft-porn of latte foam. Chevy: “stunt drivers” thing was kind of done already by Nissan earlier this year. Cadillac: let’s take on BMW on the positioning they’ve owned for more than 25 years. We know the creatives came out to play, but where was the CMO in all of these executions?

Clint Eastwood enlisted to do a tug-at-your-heartstrings-but-watch-out-cuz-I-can-also-kick-your-ass sendup for Chrysler. Okay, this is exactly the kind of thing Americans who are feeling patriotic and puffed up want to hear. And the spot is well done, and turns last year’s coming-out party into an extended affair. All good. But I think we’ve all come to expect more from Wieden + Kennedy than a reboot of the 1984 Hal Riney “Morning in America” classic.

VW also took the let’s-build-on-last-year strategy with “Dog Strikes Back,” a touching anthropomorphic vignette of a dog who’s lost his mojo. The dog can hardly chase a car anymore because he’s gotten too complacent. So he embarks on a disciplined workout regimen, resists the temptation of mom’s table scraps and gets back into fighting shape so he can hustle out the door and chase that flashy new VW Beetle down the road. Really good work from Deutsch. Nice little tag on the end to connect the dots to last year’s “Vader” spot for Passat. Another winner for 2012.

One thumb up to Hyundai for a number of reasons. They’re feeling their oats these days (and they should – their sales are killing,) so they decide to invest in some Super Bowl branding. The “cheetah” spot and the “think fast” spot (both from Innocean) weren’t feats of advertising genius, but they were solid entries into a pretty crowded field of automotive advertising. Compared to Toyota and Lexus, they were smarter. Not as funny as Honda’s “Ferris Bueller” or “Seinfeld,” but probably did more to educate viewers about the brand. And by the way, where was Ford, the company that bragged all year about not needing a bailout?

This article first appeared on Technorati.