Advertising Thingys

Advertising: starring social media

Nader AshwayLeave a comment

I’m sure you’ve noticed this, but the phenomenon of digital interactivity – and especially via social media – has become a pervasive theme in modern television advertising.  Everywhere you look, brands of all kinds are using dramatic setups in their spots that either include, focus on or ultimately lead to some kind of digital interactivity.

To clarify, this is not just listing all the places you can find the brand on social media with a tag at the end of the spots.  This is regarding the growing number of spots being ABOUT social media, and about our digital lives, and how the brands are woven into our modern lifestyles.

Survey Monkey, typically regarded as a b-to-b entity, has gone out with an appeal to the consumer audience, and claims that their platform can be used “for all kinds of things, including event planning.”  What I love about this spot is the way it’s contextualized (and well-directed, as the story bookends the extended spot) around the “original” survey model.  Molly leaves a note in little Johnny’s locker, handwritten with crayon:  Do you like me?  With two options:  Yes.  No.  Classic.

Now, obviously, it makes sense for any type of online platform to use the digital life as the basis for the creative.  Google has done this marvelously before in their search spots, and more recently in a spot for their Nexus 7 product, where they use the theme of “search” as the basis for interacting with their electronic gadget.  It’s good – and they touch the humanity button perfectly with good casting and a few carefully planned tugs at the heartstrings.

Samsung’s Galaxy S4, (whose advertising still confounds me, since they’re just marketing around features instead of trying to find differentiating benefits, but that’s another post,) has a new spot featuring a traveling baseball team.  A bored infielder is using the video capture on the device to film his sleepyhead travel companion.  As the nod-er-off-er’s head bounces, the video is captured, and the buddy starts to tool on the loop.

And that’s what’s interesting – the ad isn’t about the quality of the video the device provides, the number of megapixels on the device, or even the dopey “tap to share” feature on the device, but rather on the video loop that this kid will create with the device.  (A primary-grade-level feature on any smartphone today.)  Ostensibly, the owner of the Galaxy S4 in this case is merely considering what a great Vine upload this would be, or at the very least how many likes that GIF will get on Tumblr.  THAT’s the unspoken focus of this spot, and it marginalizes the brand in some ways, because you can do that with ANY bloody phone.

In another category altogether, Wendy’s has taken up the social-media-as-the-end-to-the-means with its latest spot for its chicken flatbread sandwich.  In the old days, we would have just created a situation-comedy style setup with the big laugh at the end and then a 6-second panning beauty shot of the sandwich.  Today, the dialogue and setup is totally based on social media:  male character walks in and starts the dialogue with “hey…you saw my post on this great bakery…” and then ends with him posting a pic of redheaded “Wendy” to Twitter. [They also tagged the spot with a hashtag #twEATfor1k.]

And it goes beyond fast food into several other categories.  One new car commercial (for Honda) touts its “the car reads your emails for you” feature, and positions it as a safety benefit.  Smart.  But stop and think about that for a moment:  the brand recognizes the need for us to stay connected to our digital lives, and has built in an e-mail reading feature into their vehicles, and is now running spots promoting that.  That goes way beyond MP3 players and partnering with Pandora for entertainment purposes.

Surveys.  Search.  Social media posts.  All taking a lead role in spots for big brands.  Going even further, many brands now are using crowdsourced images and videos as the visual basis for their ads. It’s an interesting paradox, or at least a healthy turnabout:  for years, brands have hoped to be discussed and passively promoted through social media and across the digital landscape.  Now, social media and the digital life are being actively promoted via brand advertising.

Pardon Me, May I Borrow Some Equity?

Nader Ashway1 Comment

From a marketing perspective, Audi is having a strong first half of 2013. They started with this spectacular Super Bowl Spot, which I also covered in my Super Bowl Advertising Roundup.

As you can see, this spot is really strong advertising, very well executed, and by most accounts, very well received. Kudos to the team at Venables Bell & Partners for 60 seconds of fine storytelling, excellently produced.

What I really admire is the borrowed equity. Audi uses the (classic) high school prom and all its teenage-I-don’t-really-fit-in-and-I’m-secretly-in-love-with-that-girl angst as the thrust agent to propel the underlying storyline. There’s so much being said, without actually being said, that provides backdrop and motivation to the spot. In virtually any other scenario, you’d have to spend a lot of valuable airtime to establish that emotional context. Borrow some “prom” equity, and it’s built in. Smart.

Now, Audi releases another gem, a viral video called “The Challenge.” It’s a two minute and 44 second short featuring Zachary Quinto and Leonard Nimoy. For the four of you who can’t make that connection, they both share the role of Spock from the Star Trek fiction series, and this video is released just weeks before the next installment of the blockbuster film franchise “Into Darkness” is released nationwide. [Interestingly, and clearly not coincidentally, Audi is NOT the “official auto partner” of Star Trek. It’s Mazda. And they’ve gotta be pissed over there in Anaheim.] Take a look.

Again, aside from the fact that this is a really good piece of content, with a couple of really good laughs around the old man vs young turk struggle, it’s the Trekkie/Nimoy references buried in the action, the Star-Trek-ism of it all that fuels the comedic undertone. It’s geeky, and quirky, and you’re almost waiting for Sheldon from “Big Bang Theory” to make a cameo. By the way, did you notice that shameless kick in the crotch that Audi levels on Mercedes-Benz? OUCH.

In the short, there are plenty of jokes, and Nimoy even reprises his old Bilbo Baggins vocalizing as part of it. It’s camp. It’s fun. It’s for FANS. It’s content dissemination that’s approaching four million views as of this writing. Yeah. FOUR MILLION.

In both cases, Audi was smart and crafty enough to pull some strong messaging together and dress it up with sexy shots of the latest A7 vehicle. But they go a step further and deliver those messages to consumers in powerful emotional packages that ALREADY have trust and memory and gravity built in. It is indeed “fascinating,” and I, for one, can’t wait to see what they do the rest of this year.

Live long and prosper.

[This article first appeared on Technorati.]

Facebook’s Mobile Phone: Three Reasons to “Unlike”

Nader Ashway3 Comments
facebook-phone
Concept art courtesy of Gizmodo

Facebook is set to announce this Thursday the release of the Facebook Phone in partnership with HTC. According to the latest mobile report from The New York Times, the plans are to manufacture the first smartphone designed around the total social/sharing experience that Facebook enables. Maybe it’ll be called PhoneBook? Ugh.

On paper, it’s a really good idea. More than a billion people use Facebook on a regular basis to connect with friends, weigh in on political ideas, and just generally brag. And as it turns out, MOST of them are posting, liking and commenting from a mobile device.

However, this announcement is NOT on paper. It’s real. And on most levels, it’s kind of silly. Facebook has become one of the most visible, one of the most recognized, and one of the most important brands on the planet, (although, according to the stock price relative to the IPO, NOT one of the most valuable.)

And yet, with all the Stanford MBAs on staff in their marketing and operations departments, is there anyone there voicing an opinion that this is a thinly veiled brand extension that’s simply designed to appease shareholders with a strategy to create more revenue streams? Because, let’s face it folks, that’s what it is.

The subtext of the “exciting” and “new” direction for Facebook is to have another screen for advertising. Period. Facebook’s entire valuation was built – however hastily, however erred – on the idea that a billion+ eyeballs is a road paved with advertising gold. Add another screen, and you can charge another scale. The new rate card must be getting a design makeover just like the news feed.

But that road to gold, being paved this week with this mobile announcement, is pocked with obstacles. From a marketing perspective, these three obstacles indicate a likely FAIL and another rough year for Zuck & Co.

Obstacle #1: A partnership with a questionable partner.
Facebook is partnering with HTC, a manufacturer that, as of the end of 2012, has less than 5% of the total global smart phone market share. What’s worse, the HTC moniker is inextricably linked with another epic fail of corporate overreach, RIM, and the BlackBerry platform.

Why not partner with the #1 or #2 player? With the heft of Facebook, why not approach Samsung or Apple and design a custom “version” of their popular phones designed more smartly around the Facebook experience? The full version of Android (the HTC model is using a modified version of the system,) or iOS would provide more seamless integration into the consumer’s current mobile experience. Facebook is still acting like a startup strapped for cash, when it should be carrying itself with the mien that they ALREADY have a seat at the big boy table.

Obstacle #2: Consumer adoption.
Brand extensions are a dangerous proposition, even in the best-case scenarios. And in this case, (which is not the best case,) it’s super-duper dangerous. As it stands, the consumer already has the option to have a BETTER piece of hardware than HTC, (with S3 and the soon-to-be-the-most-popular-phone-on-the-planet S4 or any of Apple’s iPhones,) a BETTER piece of software via the Facebook app on either the Droid or iOS platform, and the chances are the consumer ALREADY owns a device she’s happy with.

So it’s highly unlikely that someone is going to rush out and buy an inferior piece of hardware, running an inferior operating system to run an OS that’s focused on a social network so they can take pictures and post status updates from their home screens. The rest of the world already does that with relative ease and great enthusiasm.

Obstacle #3: Increased operational workflow and costs.
As if Facebook doesn’t have enough going on internally, (acquisition plans, acquired partners spinning off, implementation of contextual advertising, implementation of graph search, etc.,) now they’ll have to add a bunch of new pieces. This might include a coding team to fix v.1 bugs, a customer service department devoted to mobile, internal teams to interface with HTC, a dev team to work on v.2 and beyond, marketing and advertising expenditures around the device, operations around packaging and distribution and on and on. Yeccchhh.

I’m no Stanford MBA, but when you have increased operational expenditures, increased marketing expenditures and are projecting – at best – to penetrate a 5% piece of the pie, chances are you’re going to have to dip into your pocket to support this new initiative with a boatload of short-term cash.

Zuck, here’s my advice. KILL this deal before it erodes the stock price and further erodes consumer perception about Facebook quickly becoming the “uncool” social platform.

Want some free ideas?

– Blame HTC as an unreliable partner.
– Cite your unusually high expectations for the platform as a reason to delay the rollout.
– Say you’re working on even bigger and better features and you think you’ll roll out by Christmas.

In the last year or so in Menlo Park, you’ve already misstepped with the privacy policy bungle, the pace of HTML 5 integration, un-hipping Instagram and more. Right now, you need some WINS. And acquiring Hot Studio last week is not what I mean.

Wanna have lunch?

This article first appeared on Technorati.

Super Bowl 2013: Grins and Groans

Nader Ashway9 Comments

Super Bowl 47 is in the books, and with it, so is another chapter in advertising history. Football fans got what they wanted – a very exciting game that came right down to the end, with strategy, comebacks and even a second half blackout to make it interesting.

Advertising fans, not so much. The advertising was generally blah. No real game-changers this year. Just a lot of bland messages delivered in neat packages. Not including a ZILLION CBS promos, there were nearly 70 commercial airings between the National Anthem and the final play of the game. So here are my GRINS and GROANS for Super Bowl 2013.

SINGLE GRINS:

M&M’s doing a funny riff on Meatloaf’s “I Would do Anything for Love”;
Oreo’s “Library” whisper-romp;
GoDaddy’s “don’t wait to register”;
Sodastream’s “bottle savers”;

DOUBLE GRIN:
I loved the Tide “Miracle Montana” spot. Well thought, well executed, and well played by the wife character (who happens to be a Ravens fan, duh) in the spot. Smartly executed. Would have loved to have seen it in the first half, though.

BIGGEST GRIN:
Has to go to Audi for its “prom” spot*. It was one of the very few spots that drew the viewer in with a real narrative tone and you couldn’t help but rooting for the main character. In the spot, we learn of a young man who is clearly depressed about having to go to the prom by himself. But Dad intervenes, throws him the keys to the new Audi, and the kid starts to feel his oats. He races a limo off the line at a traffic light; he parks in the principal’s spot at school, and he walks right up to the prom queen and plants the I’ve-loved-you-since-6th-grade kiss on her. But he pays for all that courage. The final scene: same boy, driving home, black eye: Best. Prom. Ever. The spot ends with the tagline “Bravery. It’s what defines us.” See it here:


* BUT WAIT. There’s an asterisk. Here’s a note on why Audi’s minute-long love story is not a perfect message, especially considering the mostly male 20-something audience. While I appreciate the courage it takes to finally let your feelings be known to the girl of your dreams, it does NOT excuse the behavior of this boy. Kissing a girl without her permission is simply NOT okay, (even if she secretly liked it.) I love seeing a hero, especially in advertising. But NOT at the expense of a young woman’s privacy and dignity. So it makes sense that he gets socked in the eye. But societal norms, or better judgment, or an ad agency that should have known better, should have PREVENTED that scene from happening, instead of him being punished by a jealous prom king boyfriend. If this spot were politically correct, he would have gone stag to the prom, exchanged some nervous glances with the prom queen, and then perhaps they could have met at the punch bowl for a MUTUAL confession of their affections. I would much rather see him drive home with her phone number scribbled on a napkin…the promise of a future rather than the finality of a blaze of glory. The promise is what most of us can relate to. The hope. The hope against hope. The what’s-next-in-this-crazy-story anticipation. And heck, I’d rather do all that waiting in a nice Audi. Too bad – they went Hollywood and did a less-than-perfect spot. But, gosh, it was still really, really good advertising – using storytelling wisely.

And now the GROANS.

The WTF GROAN: I just don’t even get it.
Ram’s “Paul Harvey/Farmer” spot. Wow, what a wonderful sentiment. Wow, what a terrible waste of money for a car marketer.

SLOW GROANS
Taco Bell’s “retirees’; a long way to go and too far-fetched for fast food
Beck’s Sapphire “singing fish”; NOT the bom-diggity it was intended to be
Mercedes “devil”; just seemed like a waste of talent, all those teases and airtime.

BIGGEST GROAN
GoDaddy’s “kiss” spot. Besides being gross, it (again) decided to denigrate women in the process of making a point about style and substance. UGH! At least throw us a curve ball and make Bar Rafaeli the IT girl. Jeez!

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What did YOU think of the Super Bowl spots? I’d love to hear!

This article first appeared on Technorati.

Creative in Common

Nader Ashway3 Comments

When you consume as much advertising as I do, you start to notice patterns, like when two (or more) advertisements have a very similar theme.  Sometimes it’s an executional element, like the type treatment in a print ad.  Sometimes it’s the music bed in a radio spot.  Jeez, you work in this business long enough, and you start to recognize the more popular commercial actors in one television spot after another!

But once in a while, you catch a glimpse of creative synchronicity – two marketers plying their latest models using extremely similar conventions.  I’ve recently noticed this with the latest spots for Microsoft Surface and a revised spot for Kit-Kat bars.

Two gigantic corporations.  Two very different products.  Two disparate categories.  Two different audiences.  Two different agencies producing the work.  So how did they arrive at virtually the same executional strategy for their recent ads?

First, let’s take a look.

SURFACE

—

KIT-KAT

As you can see, these ads both employ a very specific creative strategy:  the “way in” to each spot is to focus on the “click-click” sound produced by using/consuming the product and create a commercial around it.

They’re both very entertaining.  The Surface ad starts with a little curious “click.” And then it’s followed by another, then another, and soon, the entire world is dancing in a Bieber-video-bonanza of clicking craziness.

In the KitKat spot, (which is not new, but has recently resurfaced in a media schedule that includes NFL programs,) the “click-click” of breaking off the chocolate wafers is soon followed by the “crunch-crunch” of eating the yummy snacks, harmonized with a few “mmm’s” for good measure.

Similar executions:  lots of different people, enjoying the product.  And interestingly, these multiple enjoyment scenes are focused around a singular commonality:  the click-click, or crunch-crunch.

Now there’s good reason to focus on this as a creative strategy.  For Surface, the click-click is an indication of the product features:  a self-stand for the tablet and the main focus of the spot, the quick-quick and easy-peezy snap-on of the Surface Touch Cover, a quick-click add-on that allows you to type into your tablet using a standard keyboard layout.  (You should also know that the Surface Touch Cover is sold separately, for about $120, and does not come with your Surface.)

For Kit-Kat, the click-click, crunch-crunch is the sound of the consumption experience of the product.  Break the wafer off with a click, enjoy the textured wafer with a crunch.  All for less than a buck.

Technically, both spots work very well.  They’re entertaining.  They’re light.  And they create a meme (click or crunch) around which to recall the product into top-of-mind awareness.  So far, so good.

But if we’re really evaluating these commercials on their merits, then by far, Kit-Kat wins without a contest.  Sure, the Microsoft spot is cool.  It’s sexy.  It’s energetic.  It’s youthful.  There are back stories on the filming and development of each scene (seriously, even extended scenes of just the schoolgirls dance routine,)  and “making of” videos with director Jon Chu.

But from a brand perspective, Kit-Kat gets more mileage out of this creative convention in a simple 15-second spot than Microsoft does in a one-minute choreographic extravaganza.  Why?  Because the “click-click” used in the Surface spot is highlighting a product feature (that a separately-sold keyboard can click on the tablet for a different type of use,) that has to be dramatically overplayed with all the dancing, twirling, and whirling about.  Conversely, the Kit-Kat “click-click/crunch-crunch” is a feature that is simple and direct, but most importantly, tied directly to the enjoyment benefit:  if you like a crunchy treat, you’re there in a matter of seconds – no big production number necessary.

Creative can be clever.  It can be cool.  It can be quirky.  It can even have things in common with other commercials.  As long as it makes you remember, (really important, especially for brand advertising,) it can pretty much be whatever it wants for whatever product or service or category. But in this case, you can see that it’s far better (and by better, I mean effective,) if the creative convention used in the advertising is tied directly to the enjoyment of the product – the benefit – derived from engaging with the features, rather than just on the features themselves.

Don’t you just love advertising?